Country Free Music

This is the first study of "hard" country music as well as the first comprehensive application of contemporary cultural theory to country music. Barbara Ching begins by defining the features that make certain country songs and artists "hard." She compares hard country music to "high" American culture, arguing that hard country deliberately focuses on its low position in the American cultural hierarchy, comically singing of failures to live up to American standards of affluence, while mainstream country music focuses on nostalgia, romance, and patriotism of regular folk. With chapters of Hank Williams Sr. and Jr., Merle Haggard, George Jones, David Allan Coe, Buck Owens, Dwight Yoakam, and the Outlaw Movement, this book is written in a jargon-free, engaging style that will interest both academic as well as general readers.

In this engrossing account, Richard Peterson traces the institutionalization of country music from the early days with Fiddlin' John Carson in Atlanta - which he shows could have become the center of country music production - using experiences from the lives and work of many of the genre's most influential performers, including the Carter Family, Jimmie Rodgers, Bob Wills, Gene Autry, Bill Monroe, the Delmore Brothers, Roy Acuff, Patsy Montana, the Girls of the Golden West, Ernest Tubb, and of course Hank Williams. The story, set in the era of the Roaring 1920s, the Great Depression, World War II, and postwar prosperity, takes us from Atlanta and Bristol, Tennessee, through Charlotte, Chicago, Tulsa, and on to Hollywood, New York, and Nashville. Peterson captures the free-wheeling entrepreneurial spirit of the era, detailing the activities of the key promoters who sculpted the emerging country music - Polk Brockman, Ralph Peer, George Hay, J. L. Frank and Fred Rose. Along the way the influence of car-maker Henry Ford and politician Joseph R. McCarthy are also noted. Vintage photographs of this cast of characters complement the lively narrative. More than just a history of the genre, Creating Country Music is the first exploration of authenticity in popular culture. After discussing the meaning of the term, Peterson uses the ironic phrase "fabricating authenticity" to highlight the fact that, for fans, authenticity does not refer to some clear standard from the past, but is a reconstruction of selected elements from the past crafted to meet the needs of the present. With this conception in mind, Peterson concludes by showing the conditions necessary for the continuation of country music in the twenty-first century.

Country music - Country music, also called country and western music or country-western, is an amalgam of popular musical forms developed in the Southern United States, with roots in traditional folk music, Celtic Music, Blues, Gospel music, and Old-time music.

Country Music Television - Country Music Television, or CMT as it often called, is a country music oriented cable television channel. Programming includes music videos, taped concerts, movies, and biographies of country stars of past and present.

Academy of Country Music - The Academy of Country Music (ACM) was founded in 1964 in Los Angeles, California. It was originally called the Country & Western Music Academy; and was formed by people who wanted to share their love of Country music.

Christian country music - Christian Country music is a format of gospel music, first developed in the 1980s, during the surge in popularity of country music on mainstream radio.

countryfreemusic

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